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Discover Chambery with Brit Hotel Chambery

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This page guides you through the attractions and activities accessible from Chambery, Savoie, Rhône-Alpes, ideal for enriching your stay. Nestled in t...See more

Walking around BRIT HOTEL CHAMBERY

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Hiking routes in BRIT HOTEL CHAMBERY.
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Relax and have fun with the available activities in BRIT HOTEL CHAMBERY.
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What to visit in BRIT HOTEL CHAMBERY

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Explore the cultural heritage of BRIT HOTEL CHAMBERY.
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Jean-Jacques Rousseau statue
3.8 km

Jean-Jacques Rousseau statue

Statue de Jean-Jacques Rousseau, sculpted by Mars Valett in 1910. ‘It’s a shame that the Savoyards are not wealthy, or maybe it would be a shame if they were… for whatever they are, they are the best and most friendly people that I know. If there is a small town in the world where you can taste the sweetness of life in agreeable company, it’s surely Chambéry’. (Les Confessions, Book V). In 1728, at the age of 16, Rousseau decided to leave his home town of Geneva, and after a few days of wandering, he arrived in the Savoie. The priest of Confignon welcomed him and sent him to a ‘charitable good woman’ in Annecy. Madame de Warens received the young Jean-Jacques in her home, and despite her being 12 years his senior, Rousseau soon fell under her spell. Françoise-Louise de Warens was born in Vevey, in the Vaud region. Abandoned by her husband, she decided to convert to Catholicism, as, in the Savoie, it had a significant amount of wealth, during a period of intense power struggle against the Reform. The King of Sardinia, Victor-Amédée II, provided Madame de Warens with an annual pension to welcome Swiss Calvinists who had fled to the Savoie to join the Catholic church. Rousseau renounced Calvinism and was baptised in Turin within a few days, before returning to Madame de Warens’ house in Annecy. A few months later, at the beginning of autumn 1731, he found her again in Chambéry, where she had recently moved. ‘The house that she lives in is sombre and sad, and my room is the most sombre and saddest of them all. A view of a wall, a cul-de-sac for a road, no air, no space, crickets, rats, rotten boards – hardly conducive to pleasant lodgings. But I was with her, close to her…’ Madame de Warens found Rousseau (her future lover) a job at the ‘mensuration Générale de Savoie’, that is to say in the Sardinian land registry, in the Château. The adventurous spirit of the young man quickly tired of the routine and monotony of such a job, so he would find excuses to read and learn arithmetic, geometry and design. For the time being, he was uninterested in botany. However, since he was a child, music completely absorbed him - this passion would last his whole life. He would organise small concerts, with the help of artists and amateurs, and offered his services as a professor of music theory and singing for well-heeled young ladies, despite the misgivings of his protector. From 1735 or 1736, Madame de Warens and Jean-Jacques would spend the summer in the Charmettes estate.

Boulevard de Lémenc 73000 Chambéry
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Museum of Fine Arts
3.9 km

Museum of Fine Arts

The renovated Musée des Beaux Arts contains a collection largely composed of Italian works from the end of the Middle Ages to the beginning of the 20th century, but it also displays works that help us to understand the history of art in the Savoy region. The Grenette building This corn exchange, previously known as a ‘grenette’, was located along the Medieval ramparts of the ducal city and surrounded by the Leysse, the river deviating from the Lac du Bourget. Closed down in the 19th century, it was repurposed as a voting booth for the union of the Savoie region and France, before being transformed into a museum-library in the 1880s. Renovated between 2009 and 2011, the unique architectural character of this building was restored, exploiting the diversity of the three rooms: the pillars under vaults on the ground floor, the metallic, Eiffel Tower-like aspect of the first floor, and the large windows of the second floor. Permanent collections Early art The 15th century is considered to be Savoie’s Golden Age. Combining both northern (Flanders, Germany, Switzerland) and Italian influences, these extremely rare wooden paintings demonstrate an exceptional artistic quality, marked with various archaisms. The Renaissance and Mannerism A remarkable collection of Italian works dating from the 15th and 16th centuries, with Sienna and Florence being particularly well-represented. The religious and allegorical scenes are carefully composed, with bright colours and clear, acidic tones. Portraits A wonderful collection of Italian, Flemish and Savoyard portraits, dating from the 14th to the 18th centuries. The social status of the subject can be determined by looking at whether they are alone or in a group. Genre paintings bring together various characters. The 17th century The heart of the Italian collection, the intense, formal quality of the Ecole de Naples is well-documented, which increases the dramatic atmosphere in the paintings. The collection also includes work from Rome, Florence and Venice. Piedmont in the 18th century Ecole de Turin, with its background in the unique history of the Savoie and the special relationship between Chambéry and Piedmont, produced some the most outstanding Baroque and neo-Classic works from Piedmont. L'Ecole savoyarde The Ecole de Peinture de Chambéry produced various artists, who were inspired by workshops in Geneva, Turin et Paris during the 19th century and at the beginning of the 20th century. They painted landscapes, with the constantly-changing countryside being their main source of inspiration. Furthermore, the museum offers a year-round programme of temporary exhibitions and cultural events.

Place du Palais de Justice 73000 Chambéry
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Where to eat in BRIT HOTEL CHAMBERY

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Where to sleep in BRIT HOTEL CHAMBERY

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Caution!
We have no information on the difficulty of this circuit. You may encounter some surprises along the way. Before you go, please feel free to inquire more and take all necessary precautions. Have a good trip! 🌳🥾